Sarah Lester

CONTEMPORARY IMPRESSIONIST

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So if you see something that doesn’t make sense…."Bear With” (AbFab!)

What Lies Beneath

A collection launched in June 2024 at the Lilford Gallery in Canterbury.

“It has been a fabulously successful show during which more than half of the works sold, with wonderful feedback from both visitors and collectors” - DAVID LILFORD

Etched in the memory, Cornwall’s vast tapestry of land and seascapes are woven into the very fabric of my life. What Lies Beneath isn’t just a literal reflection but also what lies deep within me. 

“It’s All About The Energy”

Running Alongside “WLB” is a new series 2025/6.

When The Sea Meets The Sky

Imagine immersing yourself in the Sea with the Sky wrapping itself around you…

The Work

Rather than having to endlessly scroll down through loads of images, I’m giving you an initial ‘Snap Shot’ of a dozen paintings that best, I think, show you some of the variety of colour palettes, marks and perhaps what I call ‘Moods’ available, and as most women will admit, we possess MANY!

And, let’s be honest….most of us are thinking along the lines of…

"it goes with the sofa/my new bedroom curtains/above the kitchen table/stunning in the conservatory/perfect for the study”.

I mean, we all live somewhere.

And now to start scrolling….

With these next Thirteen pictures, I decided to pre-mix a softer, slightly restricted palette. And then from only these pots of paint I then mixed further. When you get an extra ‘Pop’ of colour, that’ll be the Oil Pastel buzzing through.

All the pictures have many layers (A Nod to ‘What Lies Beneath’, or perhaps it should be ‘Within’. So, when you see or rub your fingers over those bumpy ridges on the painting, imagine flying through turbulent clouds or pushing yourself in the surf under the waves (trying not to get dumped on).

That’s apart from the obvious references to Sand, Rocks, Weed, Grass, Plants, Soil - all the gritty really important bits that surround us - and where we end up, in the end.

‘Energy, it’s about The Energy’

A Blaze of warmth, Soaking up the Energy, Renewing yourself.

No.5 £1400 Size Framed 56x66 cm

Acrylic & Oil Pastel on board

Backlit with Copper Gilt & floated in an Oak frame, sides burnished with Dusky Pink Casein paint.

Delicate Warm Clouds Melting into the Vigorous depths - Follow the sun.

No.7 - £1400 Size Framed 66x66 cm

Acrylic & Oil Pastel on board

Backlit with Copper Gilt & floated in an Oak frame, sides burnished with Slate Blue Casein paint.

Gliding inside the Glacial turquoise, Tingling on the Skin.

No.9 £1400 Size framed 45x98 cm

Acrylic & Oil Pastel on board

Backlit with Copper Gilt & floated in an Oak frame, sides burnished with Dusky Pink Casein paint.

Warmth Breaking through, and is that a Brave Little Fishing boat out there in the Deep Big Blue?

No.4 £1400 Size Framed 56x73 cm

Acrylic & Oil Pastel on board

Backlit with Copper Gilt & floated in an Oak frame, sides burnished with Slate Blue Casein paint.

Is it the Sea or perhaps Snow, Drawing me to the Light.

No.12 SOLD

My new owners have taken me back to Munich!

Delicate Grandeur - when a rare Haar Breathes Mystery over the Cliffs - and I was in the water when it happened…Magical.

£2100 Size Framed 66x86 cms

Acrylic & Oil Pastel on board

Backlit with Copper Gilt and floated in an Oak frame, sides burnished with Slate Blue Casein paint.

Sounds like Whispering History with secret Gems glistening Beneath.

No.8 £2200 Size Framed 62x98 cm

Acrylic & Oil Pastel on board

Backlit with Copper Gilt & floated in an Oak frame, sides burnished with Slate Blue Casein paint.

Elemental soft tones merging with Power towards a Pale Blue Horizon = Moody Blues.

No.6 - £1400 Size Framed 60x68 cm

Acrylic & Oil Pastel on board

Backlit with Copper Gilt & floated in an Oak frame, sides burnished with Slate Blue Casein paint.

Taking Time to Stand and Stare - at this Immense Horizontal view. Squat on a rock, Paddle on the edges or be Brave and Dive into the Surf.

Just Be, and Be Content.

No 3. £2400 Size 60x120 cm Unframed, (and can be framed to order).

Acrylic and Oil Pastel on Deep Box Canvas Board

Ozone Overload.

No.10 SOLD

Gone to a new home in Tenerife - it reminded her of the view from her balcony out to sea…

If I was a Gull, Swooping out to Sea observing all the Colours and Patterns Shimmering under Me….Weeeeeeee!!

No.2 £2300 Size Framed 72x98 cm

Acrylic & Oil Pastel on board

Backlit with Copper Gilt & floated in an Oak frame, sides burnished with Burnt Orange Casein paint.

It’s Skies like this that make me feel Alive…

£800 Framed Size 54x40 cms

Acrylic & Oil Pastel on Board,

Backlit with Copper Gilt & floated in an Oak frame, sides burnished with Slate Blue Casein paint.

Last of The Light (Rock to Padstow)

Crisp December, the Tor (foot ferry) over the Camel Estuary for a very fine, very long lunch at The Seafood Restaurant - and The Sky did This!

£1600 Framed Size: 90x60 cms

Acrylic & Oil Pastel on Deep Box Canvas Board

Floated in Oak Veneer Frame, sides burnished with Slate Blue Casein Paint.

I added this photo…as Evidence that Yes the Sky can really do these things and for those that know me well - it was NOT just the Wine!

This shows the subtle, peeking through of the Copper Gilt. Depending on where you hang the picture and how the Light Moves over it during both Day and Night, it sings to you its glistening secret - and is a nod to the goodies Mother Earth, over many Centuries has bestowed upon us - and a reminder of how we should look after it better.

The next six are meant to Shake you up and give a positive ‘StollyBolly’ Jolt to the system - and I know there will be many out there who are far too young to relate to Joanna Lumley, aka Patsy in AbFab….but Google it!

John, Paul, George & Ringo would psychedelically approve…

Tidal Race - look for the Hidden Fish, in the Sea, Jumping for Joy in the Sky - even basking Fossils in the Sand!

£3000 Framed Size 86x86 cms

Acrylic & Oil Pastel on board

Backlit with Copper Gilt & floated in an Oak frame sides burnished with Matt Black Casein paint.

There’s so much Energy - It’s Fizzing with Life!

SOLD Framed Size: 66x66 cms

The Rush - I Feel the Need for Speed.

SOLD Framed Size: 56x66 cms

Colour strengths, Bouncing off Each Other, Masquerading as a Poppy Field

SOLD Framed Size: 56x73 cms

Take the Rib and Glide over the Doom Bar coming back Home, as it won’t be Smooth going out…

£1400 Framed Size: 46x80 cms

Acrylic & Oil Pastel on Board,

Backlit with Copper Gilt & floated in an Oak frame , sides burnished with Slate Blue Casein paint.

A Sensuous Rock Pool, and Yes there’s a token Bug in Residence…!

SOLD Framed Size: 62x66 cms

…And now for something a little different.

With soft pink candy floss clouds puffing their way over inky blue-grey skies, these next four emit the shades you find in the pebbles and rocks and of course, that perpetually moving, endless watery thing…

Take a chill pill and hold that Yoga pose.

I Call this A Cornish Green Whoosh!

£450 Framed size 42x34 cms

Acrylic & Oil Pastel on Board,

Backlit with Copper Gilt & floated in an Oak framed, sides burnished with Slate Blue Casein paint.

You feel you can Dive right on in…

£450 Framed Size: 34x42 cms

Acrylic & Oil Pastel on Board,

Backlit with Copper Gilt & floated in an Oak frame, sides burnished with Slate Blue Casein paint.

WEATHER…Give me a good Storm any Day

SOLD

Acrylics on deep box Canvas Board

Framed Size: 90x60 cms

It’s Comforting to know this View, a Healing View, and that it will always be Here, and in my Head I can take it Everywhere.

SOLD

Acrylic & Oil Pastel on Deep Box Board Canvas

Unframed 60x120 cms

All these next Beauties revel in the extensive colours and textures I found in my studies.

Some studies became these paintings, others just decided to evolve by themselves - with me, of course, at the artistic ‘coalface’.

Some are much more literal than others, and that’s partly the point - to be able to expand on themes and just see where it takes you.

This was just the beginning - which began in 2005 - two decades ago with a Title: “Always Changing, Ever Constant”.

That year was, what you would term “A Hell of A Year”, and if you take a gander at my story you’ll understand why I escaped to Cornwall, borrowed a dear friend’s house which was high on a hill above Polzeath’s surfing beach and looked out to Stepper Point on the left and Pentire Point on the right. Months later, and a purposely spent winter of Solitude, I was ready to return to contact with the human race (sorry Mum).

These are all part of the new 2024 on-going series “What Lies Beneath”.

In conjuction with the Post-Show Catalogue (where nearly all of them sold!), they are numbered, rather than titled. Worry not if the numbers here don’t run in order - I had a virtual re-hang and decided to put them in order as David Lilford hung them in his splendid Lilford Gallery - footsteps from the mighty Canterbury Cathedral.

5. SOLD

This immense stretch seems as though you can feel the curvature of the Earth.

Framed Size: 56x128 cms

17: SOLD

Framed Size: 48x86 cms

3: SOLD

Framed Size: 56x66 cms

20: SOLD Framed Size: 45x98 cms

14: SOLD

Stormy crashing around Trevose Head

Framed Size: 60x68 cms

21: SOLD

Framed Size: 62x98 cms

18: SOLD Framed Size: 66x62 cms

7: SOLD Framed Size: 67x67 cms

There’s a funky musicality to these strokes - a bit like my owner…

12: SOLD Framed Size: 34x42 cms

I now overlook the beach at SeaSalter.

13: SOLD Framed Size: 98x62 cms

You can really feel the Gusts of Wind - and I now live in Chicago…

15: SOLD Framed Size: 60x62 cms

22: SOLD

Framed Size: 57x67 cms

11: SOLD Framed Size: 40x54 cms

“My new home in Italy brings out the Tuscan Pink in me”

23: SOLD Framed Size: 50x50 cms

And I’m on my way to my new home in Elie, Scotland.

Feeling kind of Blue, A Calm Blue…

£450 Framed Size: 34x42 cms

Acrylic & Oil Pastels on Board.

Floated in an Oak Frame and Backlit with Copper Gilt, sides burnished with Slate Blue Casein Paint.

24: SOLD

Framed Size: 62x98 cms

28: SOLD

Framed Size: 40x54 cms

35: SOLD Framed Size: 56x51 cms

My new Mistress says it matches her eyes!

38: SOLD

Framed Size: 40x55 cms

16: SOLD Framed Size: 66x56 cms

26: SOLD Framed Size: 66x66 cms

9: SOLD Framed Size: 60x80 cms

4: SOLD Framed Size: 40x54 cms

6: SOLD Framed Size: 66x86 cms

41 & 42: SOLD as a pair

Framed Size: 42x54 cms

27: SOLD Framed Size: 56x67 cms

A Chinese friend of mine told me it reminded her of “Moon River” in her Homeland.

32: SOLD Framed Size: 32x54 cms

1: SOLD Framed Size: 72x98 cms

29: SOLD Framed Size: 66x66 cms

25: SOLD Framed Size: 39x77 cms

34: SOLD Framed Size: 49x55 cms

30 & 31: SOLD Framed Size: 35x42 cms

33: SOLD Framed Size: 86x86 cms

36: SOLD Framed Size: 34x54 cms

37: SOLD Framed Size: 56x80 cms

29: SOLD Framed Size: 21x46 cms

40: SOLD

Framed Size: 66x86 cms

19: SOLD Framed Size; 57x67 cms

About me.

Creating art, playing music and competing in sport have run through Sarah’s life, each discipline influencing the other. Energy in her paintings, whether explosive or contemplative can be felt through the mark making and choice of palette, whatever the subject matter.

STOP PRESS: Sarah Lester, formerly Sarah Sanderson.

Born on Christmas day in Paris, an only child to older tennis playing parents and a spinster Jazz pianist aunt living in Switzerland, Sarah grew up often quietly observing her changing surroundings and ‘people watching’ - sketching as she went.

Five years as a music scholar at Bryanston School in Dorset where creative arts were placed at the forefront, with alumni including Howard Hodgkin and Sir Terence Conran, she could be spotted sitting on an Iron Age Fort painting the setting sun over the glistening river Stour.  Another five years spent in Oxford followed with a degree in Art & Music.

Throughout this decade Sarah was also competing at International level in Golf in many parts of Britain, Ireland and abroad - always with a paint palette and camera, soaking in the atmosphere, recording her surroundings.

 Although with accomplished levels in Fine Art, Music and Golf, their commitments were pulling in diverse directions - she was considered by some to be a misfit, unconventional, puzzling at the very least.

 So in 1989, Sarah joined the British Army, ending up a Captain. Posted near the Yorkshire Dales for two years, by the sea near Chichester for another two and in between driving around the French and Austrian Alps during the winter months for three years Alpine Ski Racing, she took advantage of these new horizons yet also knowing she ‘didn’t really fit in’, so she left, and spent the next fifteen years mostly based in London where her Art developed into her lifelong dominant passion.

Working at Christie’s Auction House in King Street for several years acted as an antidote, then studying in Chelsea at Heatherley’s School of Fine Art for a Diploma in Portraiture reinforced this commitment.

From 2000 onwards her connections within the mens professional golf world opened up exciting opportunities - as an Artist, Journalist, Travel writer, Author, Radio and TV Presenter.

2002 Ryder Cup at The Belfry, Sarah was filmed sketching the golf course, players and public, mentored by renowned artist Harold Riley “see how the crowds move around the course, in unison, like a wave, a symphonic crescendo, then fall silent to observe the play, like a musical pause” - this resonated with her.

The PGA European Tour then commissioned a collection from Sarah reflecting the action and emotion of Europe’s Victory in The Ryder Cup

From her garret studio in Battersea to a barn in Suffolk she produced 18 paintings which the next May were exhibited at Wentworth, filmed by SKY with the artist explaining the project.

That December Sarah’s next Art Show took over the ground floor of Christie’s South Kensington with the impetus on Skiing in the Alps and Surfing in Cornwall.

Acting in tandem with this was the launch of her uniquely written Golf instruction book “Shape Up Your Golf” (Harper Collins), with her esteemed Literary agent, Ed Victor encouraging off-piste creativity.

2003 at The Gallery In Cork Street, London, W1, another solo show with a mixture of action and landscape works, she asked for advice from the founder of the Portland Gallery, Tom Hewlett for her next challenge.

Following England’s progress in the Rugby World Cup, Sarah created in real time, 15 paintings. Tom sent her to industry respected Christina Leder framing and gilding with fine results.

SKY News came to her studio and later interviewed her in their studios. The presenter, holding one up to camera received an added bonus - wet paint on his fingers - the perils of live TV!

In November at The Cafe Royal, London, the star piece picturing Jonny Wilkinson’s kick to victory raised £12,000 for Children In Crisis. Bought by heavy weight city firm Cantor Fitzgerald’s CEO, Lee Amaitis, who then proceeded to commission a 6ft x 4ft painting of his horse ‘Worldly Beauty’ racing to victory.

2004 The International golfing community celebrated the 250th Centenary of the Royal & Ancient Golf Club, the governing body of golf, held at St Andrews. Employed by the BBC, she was given autonomy to sketch live and paint Arnold Palmer in situ and to best capture the essence of St Andrews by the sea. (some of which she sketched while in a wetsuit, in the sea, looking back at the golfing grandstands!).

During these years her work took her to Sri Lanka, Dubai, Egypt, South Africa, Kenya, Long Island, Sea Island, and closer to home, Ireland.

By the Autumn of 2005 Sarah had created seven considerable different solo shows. Her private commissioned works continued at pace and she had donated works to three charities raising over £24,000.

Earlier that year, two dramatic events occurred - both on the same day, February 14th. She got engaged and her father died. Throwing herself further into work, the engagement collapsed. In grief and burnout she retreated alone to Rock in North Cornwall.

In 2006 she showed a series of paintings based on her view out to sea repeated alongside her written daily emotional barometer diary “Stepper Point Diaries”. This cathartic record gradually enabled her recovery and she then linked up with the Padstow Contemporary Gallery. Land and Seascapes were beginning to push to the front, with the occasional surfer crashing in.

For the next twelve years although she considered Cornwall home, and focusing on figurative and Landscape pieces, commissions sent her to Marbella, Lucca, Meribel, London, Florida, Bermuda, Switzerland and Goa.

In 2019 she met her now husband, Andy, who as a creative director, fellow painter and musician has been instrumental in enabling Sarah to expand in this fresh direction.

Previous Work.